Way-Out: A psychedelic tribute to Bruce Haack

Editor’s note: The banner image above shows legendary experimental musician Bruce Haack (right) with long-time collaborator and friend Ted Pandel (left) , circa 1985. Image courtesy of the Provincial Archives of Alberta.

The Provincial Archives of Alberta also invites you to an evening devoted to electronic music pioneer Bruce Haack at the TELUS World of Science – Edmonton, Zeidler Dome for a screening of the 2004 documentary Haack: The King of Techno followed by a lightshow performance set to Haack’s landmark album The Electric Lucifer. The event takes place on Friday, September 29. Doors at 6:30 p.m., show at 7 p.m. The event is free, seating is first come, first served.

Written by: Jared Majeski (Editor, RETROactive) and Braden Cannon (Private Records Archivist, Provincial Archives of Alberta [PAA])

After creating some of the most spaced-out, light years-ahead-of-its-time experimental electronic music, the renaissance of Albertan Bruce Haack continues apace. His music has been reissued by record labels around the world (including Toronto’s own Telephone Explosion Records), he was the subject of the 2004 documentary Haack: The King of Techno and now, some of his most treasured possessions have been made available at the Provincial Archives of Alberta.

Tape reel from Haack’s recording for Def Jam Records’ Russell Simmons. Source: Provincial Archives of Alberta.

Bruce Haack, from the Rocky Mountain House area, was born in 1931 and displayed music talent from an early age. He attended the University of Alberta before being accepted into the Julliard School in New York City to study music. After a year, he dropped out to explore his own, unique ideas in music. He had an early interest in electronic music and began to design and build his own electronic instruments and voice modulators. Together with Ted Pandel, a pianist whom he met at Julliard, Haack supported himself with songwriting gigs for record labels and advertising firms. He eventually met Esther Nelson, a children’s dance instructor, and collaborated with her on a series of children’s records using Haack’s electronic instruments and his increasingly experimental arrangements. Haack gained further attention through appearances on “The Tonight Show with Johnny Carson” and “Mr. Roger’s Neighborhood” where he would demonstrate his inventions such as a synthesizer that would emit sound through touch.

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From the Rocky Mountains to Mr. Roger’s Neighborhood

bruce-farad
Farad: The Electronic Voice, a reissue of late-career Haack songs from Stones Throw. Image: Stones Throw Records.

This weekend is Alberta Culture Days, a three-day province-wide celebration of Alberta’s vibrant and diverse arts and culture communities. Originally created in 2008 as a one-day event called Alberta Arts Day, Alberta Culture Days has become the flagship autumnal arts celebration for people of all ages and interests. Thousands of events will take place this weekend all over Alberta.

When it comes to the music community, many people are likely familiar with famous Alberta musicians whose long careers and commercial success have led them to worldwide acclaim. Ian Tyson and k.d. lang come to mind, as well as more contemporary artists like Feist, Corb Lund, Cadence Weapon and Purity Ring. However, there is one person in particular whose influence on music is only now being fully understood, decades after his death in 1988. His name is Bruce Haack and he grew up in Rocky Mountain House, Alberta. Looking back on his career and musical output, you wouldn’t be far off in thinking that maybe this man was the living embodiment of the concept of, “way ahead of his time.” Read more