Merry Christmas from RETROactive

On behalf of the folks at RETROactive, thank you once again for your interest and support. May everyone have a safe, warm and restful holiday.

View of the Watchtower Ski Camp with Headwell in mid-winter, 1932. Source: A3086, Provincial Archives of Alberta.

The Archaeological Survey in Numbers – 2020 Update Part Two

Written By: Colleen Haukaas, Archaeological Survey

This week’s post is an update on archaeological sites recorded in 2020 as part of the Archaeological Survey’s permit management program. Part One of this post discussed archaeological permits, archaeologists and companies, and archaeological field activities. This week’s post highlights information about archaeological sites recorded during field work under archaeological permit activities.

In Alberta, archaeological sites have been protected since the 1970s under what is now the Historical Resources Act as, “a work of humans that is of value for its prehistoric, historic, cultural or scientific significance.” One would not need to look far to see that Alberta has amazing archaeology, ranging at least 13,000 years, at sites like Writing-on-Stone/Áísínai’pi, Head-Smashed-In and other buffalo jumps, Wally’s Beach age megafauna, and many other amazing sites. Over 40,000 sites have been recorded in Alberta, and archaeologists record 500-700 new sites per year.

The majority of new sites today are recorded by archaeologists working with developers to avoid potential impacts to known or potential archaeological resources in a Historic Resources Impact Assessment. Any sites they might record are reported to the Archaeological Survey and added to the Archaeological Site Inventory, which is available to archaeological researchers and consultants. Sites are also recorded by researchers working at universities, museums, societies and other institutions. Researchers usually record fewer sites overall, and revisit the same sites year-to-year to continue detailed research.

You can explore previous Survey in Numbers to compare statistics year over year.

Garden of the gods: Áísínai’pi on the Great Plains

Editor’s note: Special thanks to Aaron Domes (Alberta Parks), Jack Brink (retired Curator of Archaeology at the Royal Alberta Museum) and Martin Heavy Head (Elder and cultural leader of the Kainai) for their input and review of this article.

Written by: Todd Kristensen, Archaeological Survey of Alberta and Terra Lekach, freelance archaeologist and artist

A muddy ribbon of water flows through southern Alberta on its way to the Missouri. Along the Milk River lies 3,000 years of beliefs etched and painted as rock art on sandstone walls. An 18 km stretch of the river meanders through 149 archaeological sites displaying several thousand individual rock art images. The art documents millennia of spiritual connections to a sacred landscape and centuries of cultural change during European settlement on the Great Plains.

Writing-on-Stone/Áísínai’pi UNESCO World Heritage Site is on the Milk River in southern Alberta. Image created by Todd Kristensen.
Over 60 per cent of rock art in Alberta is found in Writing-on-Stone/Áísínai’pi and over 8 per cent of Indigenous rock art in Canada is found along this small stretch of the Milk River. Image created by Todd Kristensen, with input from 13 heritage managers across Canada.
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Intersections and Intertwinings: Understanding the Métis Sash

Written by: Laura Golebiowski, Indigenous Heritage Section

Editor’s note: November 14-20 is Métis Week, the annual invitation to remember the leadership, advocacy, sacrifice and legacy of Louis Riel, and to celebrate the continued achievements of Métis peoples across their homelands.

RETROactive readers will already be familiar with Matt Hiltermann for his extensively researched accounts of the Métis presence in southern Alberta. Did you know he is also a skilled fingerweaver and sashmaker? With Matt’s help, writer Laura Golebiowski dives into the historical roots and evolving cultural significance of the Métis sash. Note: banner image above courtesy of Travel Alberta.

Métis public historian Matt Hiltermann is the first to note the origins of the Métis sash are convoluted and obscure. Though several cultures produced woven textiles, the sash’s beginnings are understood to lie with the traditional weaving practices of eastern woodland First Nations, combined—quite literally—with woolen goods introduced by early French visitors. The coming together of these two cultures and crafts produced a unique item truly of its time and place. “It couldn’t have happened any other way or anywhere else.”

With practical beginnings, the sash likely served numerous functions, including a rope, tumpline (a carrying strap worn across the head), pocket, tourniquet, emergency sewing kit or belt. The earliest designs were that of the double-chevron or arrowhead. The Assomption sash, or ceinture fléchée (“arrow belt”), proliferated with the fur trade and made its way to west. Varying colours and designs were used to signify rank, status and trading allegiances or employment.

“A gentleman travelling in a dog cariole in Hudson’s Bay with an Indian guide,” 1825. Source: Library and Archives Canada, Acc. No. R9266-1052.2 Peter Winkworth Collection of Canadiana. Although not explicitly identified as such (typical of exclusionary practices of the time), the middle individual driving the cariole and wearing a traditional capote, leggings and sash is very likely Métis.
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The Archaeological Survey in Numbers – 2020 Update Part One

Written By: Colleen Haukaas, Archaeological Survey

This week’s post is an update on the Archaeological Survey’s permit management program from 2020. In Alberta, as elsewhere in Canada, archaeological sites are protected and managed through legislation, as archaeological sites and artifacts are thought to be of value to Albertans. Most of the work archaeological permits since the 1970s have been issued to professionals, or consultants, working in the cultural resources management (CRM) field.

Consultants in this field work with developers and the Archaeological Survey to ensure that proposed developments, such as subdivisions, well sites, waterlines, etc., will not impact known or potential archaeological sites. This work is crucial to ensure that Alberta’s development industries can continue while also avoiding impact to archaeological resources, which are non-renewable and best left in the ground. Since the permit management system was legislated in the 1970’s, CRM consultants have recorded tens of thousands of archaeological sites in all areas of Alberta and made immeasurable contributions to the stories and knowledge of Alberta’s past.

This infographic looks at some of the details of Alberta’s permit management program- How many permits are we issuing? How many are CRM (mitigative?) Where are the permit projects this year in the province? What types of research activities are archaeologists carrying out under their permits? Please stay tuned for Part Two of this infographic, which will look at archaeological sites recorded in 2020.

You can explore previous Survey in Numbers to compare statistics year over year.

Historic LGBTQ+ site destroyed by fire

The Milla Pub, once home to Edmonton’s first official gay bar, was destroyed by fire Tuesday night.

In 2019, legendary playwright, actor, performer and director Darrin Hagen wrote about the history of Club 70 for RETROactive. With the physical building now gone, take a few moments to learn the history of an important part of Edmonton’s, and Alberta’s, LGBTQ+ community.

Haunted Heritage Part Five: Spooktacular Places

Editor’s note: Interested in more haunted heritage? Read parts one through four, if you dare!

Written By: Pauline Bodevin, Regulatory Approvals Coordinator

As Halloween approaches, it is time once again to turn our attention to tales of ghostly encounters and strange otherworldly places. This year features stories of alleged paranormal activity and legends of the unexplained, perfect for sharing around the fire on star-filled autumn nights.

The University of Alberta, Edmonton

With construction beginning between 1910-1911, the University of Alberta campus has accumulated a wealth of alleged ghost stories and tales of the paranormal over the decades. One ghostly legend concerns Corbett Hall located on the southern end of campus. It is said to be the home of a benign female entity who is often seen walking across the stage in the building’s auditorium. Pembina Hall is also famed for stories of supposed paranormal activity. Here rumors persist of a ghostly young nurse searching the building aimlessly for a loved one. Another well-known story describes the apparition of a boy with blue lips, dressed in a distinctive plaid shirt that wanders near Athabasca Hall’s exterior.

Ring House One is also believed to be haunted by a former female resident. According to witness accounts, the female entity was known for moving objects from one place to another, turning lights on and off and locking doors left unattended. Visitors have also described hearing the distinct sound of riffling papers when alone and feeling cold gusts of phantom winds when coming up the main stairway of the building. Convocation Hall, housed in the old Arts Building, is also said to be the home of a legendary antique pump organ believed to play spectral music. In this story, the phantom musician was rumored to have played haunting melodies night after night during WWII, when there was no one to be seen anywhere near the instrument. 

University of Alberta Edmonton, Alberta. View of the Arts Building 1926. Source: Provincial Archives of Alberta, A1811.
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COVID resilience: Experiencing Alberta’s smaller provincial historic sites in new ways

Written by: Suzanna Wagner, Program Coordinator, Victoria Settlement and Fort George & Buckingham House

What can you find at Alberta’s provincial historic sites? History, of course. But what about an unstoppable fount of creativity?

Connecting Albertans with history is what staff a provincial historic sites do, but COVID closures have placed some particularly unusual barriers in the way of achieving this mission. Since some provincially-owned and operated historic sites were unable to open for the 2020 and 2021 seasons, staff had to find creative new ways for our communities to connect with the history we steward.

Below is a whirlwind tour of a few of the innovative ways Alberta’s smaller historic sites invited guests to explore their shared heritage.

Rutherford House

Since the house was closed to visitors, Rutherford House staff (and its smallest resident, Rutherford Mouse) picked up stakes and travelled for a visit to the Ukrainian Cultural Heritage Village.  They spent the summer inviting other visitors at the Ukrainian Village to join in a couple of Rutherford House programs.

The first program, Rutherford Mouse Visits the Country, was a scavenger hunt for young guests. Children (and adults) were invited to explore Pylypow and Hawreliak Houses and see if they could catch Rutherford Mouse visiting with his country friends by spotting his miniature mouse furniture and belongings hiding inside the houses, on window ledges, and beside the big-people furniture and artifacts. Children excitedly shared what they had discovered. More than 200 people took on the challenge!

Our second program, Making a House a Home, was an opportunity to compare and contrast the houses and interiors of the Rutherfords’ two residences here in Edmonton, as well as Pylypow and Hawreliak houses. Who had the fanciest floors? Whose house was a pre-packaged one? Did they all have maids? Where did everyone sleep? Almost 100 people took the opportunity to explore these amazing buildings.

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National Day for Truth and Reconciliation

September 30 is the National Day for Truth and Reconciliation. In solidarity, orange shirts are worn to honour and remember the children who died at Residential Schools, to witness the healing journey of Survivors and their families and commit to the ongoing process of reconciliation.

The inspiration for Orange Shirt Day came from residential school survivor Phyllis Jack Webstad, who shared her story of her first day of residential schooling at six years old, when she was stripped of her clothes, including a new orange shirt her grandmother bought her, which was never returned. The orange shirt now symbolizes how the residential school system took away the Indigenous identities of its students.

To support the National Day for Truth and Reconciliation, you can purchase an orange shirt at a number of Indigenous-owned businesses:

How to participate

September 30, 1:30 pm
Zoom and Facebook Live

Join guest curator Tanya Harnett for a free virtual exhibit talk. Tanya will share her experience curating the Residential Schools exhibit to share the history and realities of the residential school system in Alberta.

Tanya Harnett is a member of the Carry-The-Kettle First Nation in Saskatchewan. She is an artist and a professor at the University of Alberta in a joint appointment in the Department of Art and Design and the Faculty of Native Studies. Tanya is also a member of the Royal Alberta Museum’s Indigenous Advisory Panel.

This talk will be streamed on Zoom, and on the RAM Facebook page

Register to join the Zoom presentation here.

September 30, 10:30 am
Zoom and Facebook Live

Attend a virtual reading of Shi-Shi-Etko by Nicola Campbell. Shi-shi-etko is a young girl who has four days before she leaves home for residential school. Her family has many teachings to share with her, about her culture and the land. This book is appropriate for children aged 4-8.

This virtual story time will be streamed on Zoom, and on the RAM Facebook page

Register to join the Zoom presentation here.

Continue to learn

One of the recommendations from the Truth and Reconciliation Commission is that all Canadians educate themselves on the true history of Indigenous peoples. There are books to introduce children to the history of residential schools, and to help understand the Indian Act and Indigenous Rights. In the spirit of reconciliation, we must continue to listen, learn about and understand Indigenous history and culture, and recognize the long-standing Indigenous presence and sovereignty in this land.

Indigenous Reading List

Okotoks adds three historic resources to Alberta Register

Written by: Ron Kelland, Historic Places Research Officer

Recently, some new Municipal Historic Designations have been added to the Alberta Register of Historic Places. These resources are have been deemed by their municipality to be of significant heritage value to their community. Like Provincial Historic Resources, municipally designated properties are protected under the Historical Resources Act and qualify for conservation grants from the Heritage Preservation Partnership Program.

Of the most recent Municipal Historic resources designations added to the Register, three of them are located in the Town of Okotoks.

Okotoks Post Office

The Okotoks Post Office is a two-storey wood frame building with a boom town façade and is clad in pressed metal siding resembling a stone pattern. It is centrally located in Okotoks on North Railway Street (formerly Macleod Trail). The post office building is amongst the town’s earliest buildings and was a focal point of the community, being located across from the Canadian pacific Railway station. The building was constructed in 1890 by Herbert Bowen, a local general merchant and post master for the community. When John Paterson bought the store in 1892, he also became the postmaster. The building was the site of the post office from 1891 to 1900, and again from 1907 to 1937. The heritage value of the Okotoks Post Office is due to its association with the town’s early development, being an anchor business and service that the community would grow around. It is also significant for its association with George Paterson, son of John Paterson, who continued in his father’s role of merchant and postmaster and was a noted community member, serving as school board trustee and mayor and belonged to numerous community organizations. The building is also architecturally significant as a representation of an early-twentieth century commercial establishment.

Okotoks Post Office, December 2019 showing the pressed metal siding and boomtown façade. Source: Town of Okotoks.
Okotoks Post Office, 1921. Source: Okotoks Museum and Archives.
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