Written by: Peter Melnycky, Historian, Historic Resources Management Branch
Editor’s note: Welcome to the first in a series of blog posts developed with municipalities in mind who either have or are considering undertaking Municipal Historic Resource designation. This series is intended to serve as a refresher on how to evaluate sites, develop Statements of Significance, determine periods of significance and develop Statements of Integrity.
For more information, please review the “Creating a Future” manuals available here or contact Rebecca Goodenough, Manager, Historic Places Research and Designation at email@example.com or 780-431-2309.
In our first post, we will be discussing how to determine if a historic place is eligible for designation.
Historic resources include structures, buildings, landscape and archaeological features, all of which can be considered for protection by a municipality. Under the Historical Resources Act, municipalities have the ability to designate historic resources under a bylaw to ensure their protection.
In order to be considered for protection as a Municipal Historic Resource, a site needs to:
Be an eligible resource type
Possess historical significance
Have sufficient material integrity
If a site meets all three of these of these criteria, it can be considered for Municipal Historic Resource designation.
Editor’s note: You can read more of Fraser Shaw’s series on heritage conservation on RETROactive.
Written by: Fraser Shaw, Heritage Conservation Advisor
Gunshots shattered the stillness of 18 Avenue in Coleman on the afternoon of September 21, 1922.
Local bootlegger Emilio Picariello and his accomplice Florence Lassandro sped off in a cloud of dust as Constable Stephen Lawson lay dead outside the Alberta Provincial Police barracks, a cottage-like office and residence where he worked and resided with his family. Hours later, “Emperor Pic”—as he was known locally—and Lassandro were apprehended and charged with Lawson’s murder. Both were later convicted and hanged. Lassandro became the first woman to be executed in Canada since 1899 and the only woman to be hanged in Alberta.
The Alberta Provincial Police (APP) Building, a Provincial Historic Resource within the Coleman National Historic Site, is significant for its association with the infamous murder of Constable Lawson and, more generally, with its role in the maintenance of law and order in the mining communities of the Crowsnest Pass during Prohibition until the 1930s.
Written by: Ron Kelland, Historic Places Research Officer
Back a few weeks ago, in the early days of COVID-19 pandemic response, I, like many Albertans, was closely watching news coverage. One news story that caught my attention was about the lines of traffic of returning Canadian travelers at the Coutts/Sweet Grass International Border Crossing. The story really jumped out at me because I had just read about novelist Charles Dickens’ involvement with the philanthropic work of Baroness Angela Burdett-Coutts. Being the geographical names guy, I was aware that the village of Coutts and the hamlet of Burdett were named for the Baroness Burdett-Coutts, so I started to think about how was it that these two communities ended up with names honouring and commemorating a Victorian-Age, aristocratic philanthropist and social reformer.
Angela Burdett-Coutts, the 1st Baroness Burdett-Coutts was born Angela Burdett in 1814, the daughter of radical reformist politician and anti-slavery advocate Sir Francis Burdett and Sophia Burdett (née Coutts). In 1837, upon the death of her step-grandmother, the actress Harriet Mellon, Angela inherited the entire Coutts estate of £1.8 million ($191 million in 2020 Canadian dollars) including a substantial interest in the Coutts Bank, making her the second-wealthiest woman in the United Kingdom after Queen Victoria. In accordance with the conditions of the will, Angela Burdett sought and received royal license to combine her ancestral names to become Angela Burdett-Coutts.
Editor’s note: The image above is of the famous Roxy Theatre on 124 St. Opened in 1938, the theatre was destroyed by a fire in 2015. The theatre is currently being rebuilt. The image is courtesy of the Edmonton Historical Board.
Written by: Jared Majeski, Historic Resources Management Branch
Continuing along in our series spotlighting Municipal Historic Resources (MHRs) around the province, we move along to the historic Westmount neighbourhood in west-central Edmonton.
Thought to have been named after a suburb in Montréal, Westmount is known for many Craftsman-inspired single family detached houses along tree-lined boulevards between 123 St. to 127 St. and 107 Ave. to 111 Ave. You get the feeling of being transported back in time when you’re walking or riding your bike down one of these streets. And since the City of Edmonton officially recognized the historic significance of this, the Westmount Architectural Heritage Area (WAHA), the heritage value of this important Edmonton neighbourhood will hopefully be supported for decades to come.
Let’s take a look at a few properties in the area that make this neighbourhood unique.
Marshall Hopkins Residence
Built in 1912, the Marshall Hopkins Residence on 126 Street is significant as an early example of wood-framed, Foursquare construction. This architectural design was popular at the time for its simple design and efficient floor plans.
The two-storey residence is significant for its association with Marshall W. Hopkins, Chief Land Surveyor for the Alberta Land Titles Office, who was the first occupant of the residence from c. 1913 to 1914. In addition, the Marshall Hopkins Residence is also significant for its association with the Canadian National Railway as it was home to a number of occupants who were employed by the company after the Canadian National Railway arrived in Edmonton in 1905.
The residence was officially designated an MHR in May 2019.
Ellen Elliot Residence
The Ellen Elliot Residence on 125 Street is unique in a number of ways, least of all due to the fact that the first resident and owner of the building was a woman. Mrs. Ellen Elliot, widow of Thomas Elliot (who may have been a builder), purchased the property which would have been rare and unusual at that time. She lived in the residence until 1932.
Design elements of the two-storey building include the original wood frame construction, with horizontal wood siding on the lower level and wood shingle siding in gable peaks, and a front gabled-roof addition and porch. Fire insurance maps of the area show the original structure with a veranda in 1913. However, city records indicate that the house was built in 1920. The 1920 date may have come from when the front porch was captured and brought into the house as an extension of the living room and the mudroom.
This property was designated an MHR in June 2019.
Walton L. Smith Residence
The 1914 two-storey Walton L. Smith Residence is a wood frame construction with strong Craftsman design influences. It has horizontal wood siding on the lower level, and wood shingles on the upper levels and façade. The roof is a slightly bellcast, medium pitch gable, with exposed rafters and decorative brackets on the front-facing gable. An offset closed porch with a slightly bellcast gable roof is on the right hand side of the façade.
As interesting as the design of this property is the story of its original building applicant, who ironically, never actually lived in the house at all.
This residence was constructed following application for a building permit at the site on May 14, 1914. Robert W. Hedley, the applicant, was prominent in Edmonton affairs. Born and educated in Ontario at the University of Toronto and Hamilton Normal College, he then taught until moving to Edmonton in 1912. Hedley was Art Supervisor for the Edmonton Public School Board from 1914 until 1929. He designed the art course for Alberta high schools in 1922. Hedley taught art at University of Alberta summer sessions, and was appointed to the Normal School staff in 1929, serving as a lecturer in art and math. Hedley retired in 1937, but remained active in the local art scene, becoming director of the Edmonton Museum of Arts from 1943 to 1951. Hedley organized the western Canadian art circuit, adult and children’s classes and a women’s society to support the Edmonton Museum of Arts. He received an Honourary LLD from the
University of Alberta in 1953, a citation from the College Art Association of America in 1955, and became the first Albertan to receive a Fellowship from the Royal Society of Arts. He was an arts critic for the Edmonton Journal for many years. Hedley died on November 16, 1965, having never lived in the house he originally applied to build in 1914.
This residence was designated an MHR in June 2019.
Built in 1922, Griffin Residence on 125 Street is significant for its Arts and Crafts influences, in particular, Craftsman style elements. This design style first appeared in the last years of the 19th century and remained popular until the 1930s.
The residence features a medium pitched gable roof, with projecting eaves, exposing original wood rafters, soffits, fascia, and brackets. It is clad with wood clapboard siding on the upper portion, and wood shingles on the lower portion of the residence, and in all the peaks of the gables. The enclosed front veranda has a hipped roof with an offset medium pitched gable over the entrance. Both the east and west elevations feature pitched gables, with bay windows. The residence is located on a residential street in the Westmount neighbourhood, one of Edmonton’s most mature neighbourhoods, where the majority of lots still maintain their original structures.
Griffin Residence was designated an MHR in August 2018.
Street Railway Substation No. 600
Constructed in 1938, Street Railway Substation No.600 is a one storey brick and concrete building designed in the Art Deco Style, located on a commercial portion of 124 Street in the neighbourhood of Westmount.
This substation is significant for its association with the development of the Westmount neighbourhood. Westmount is one of the oldest residential subdivisions in Edmonton. After 1911, residents of the neighbourhood could commute downtown on the electric streetcar that ran south from 110 Avenue along 124 Street before turning east along Jasper Avenue. As the neighbourhood grew and demand placed on the west end section of the street railway increased, it was necessary to build Street Railway Substation No. 600 to house equipment which reduced the loss of electricity from the lines, allowing the street railway to operate more efficiently.
The substation was designated an MHR in May 2017.
These recently designated Municipal Historic Resources join seven other Westmount neighbourhood resources previously designated by the City of Edmonton:
On behalf of RETROactive, happy holidays to everyone out there. Whether you’re a new subscriber or have been a follower for years, we want to thank you all for your continued support. We’ll be back in mid-January with even more blog posts about Alberta’s unique history!
In 1935, the chapel unveiled within St. Steven’s College displayed plaques commemorating the war service and sacrifices of its brave associates. Dated to 1923, the first plaque honoured 19 Ministers and 61 Probationers who served during the Great War, as well as eight who “bravely fell”. A separate plaque commemorated “To the Glory of God and in Loving Memory” eight students of Robertson College “who fell on the field of Honour” during the war. One individual plaque was also dedicated in memory of Harold G. Riddle of Robertson College who died at St. Omer, France in 1916 and proclaimed Virtute Praeclarus (“Brilliance with Courage”) in his memory.
From all of us here at RETROactive, happy Halloween! If you’re in the mood for a historical fright, check out Allan Rowe’s post on how Albertans used to celebrate the occasion during the 19th century and beyond.
And now, here’s a photo of some creepy clowns, taken somewhere in Edmonton in 1952.
Editor’s note: If you’re interested in other restoration projects by the government’s Heritage Conservation Advisers, read about the conservation of Circle L Ranch.
Written by:Fraser Shaw, Heritage Conservation Adviser
Designated a Provincial Historic Resource in 2013, the Taber Courthouse presides over a quiet park just off Taber’s main street. The building’s stately arched entryway speaks to its historic importance as one of Alberta’s first “sub-jurisdiction” courthouses, a system of provincial justice administration introduced at the time.
Built in 1918, Assistant Provincial Architect J.B. Allan developed the courthouse design and noted Provincial Architect Richard P. Blakey subsequently revised it. Blakey’s eclectic mix of Edwardian, Classical Revival and Spanish Colonial Revival elements eventually became an architectural prototype for other courthouses of the period. Examples of Blakey’s work that are still intact include the Blairmore Courthouse in the Crowsnest Pass and the Medicine Hat Courthouse. Both of these buildings are Provincial Historic Resources.
Written by: Fraser Shaw, Heritage Conservation Advisor
If you’ve ever driven down the beautiful Cowboy Trail, chances are you’ve driven by at least a few historic ranches. Some of these ranches, like Bar U and E.P., have been operating for over a hundred years.
Another of those ranches is the Circle L Ranch, started by a storekeeper from Salt Lake City in the late 1800s. The site recently underwent a restoration project to help ensure historic small-scale ranching in remained intact and accessible. The ranch is a Provincial Historic Resource and an excellent example of an early family-run ranch in southern Alberta.
Written by: Sara King, Government Records Archivist, Provincial Archives of Alberta
Its film time again courtesy of the Provincial Archives of Alberta! Archival records, whether paper, photographic, film or audio, can very often provide more information about their subject than was originally intended.
Take It Happened at Vic. This silent drama production about a love triangle, created by Victoria Composite High School students in Edmonton in 1941, reveals how the school and neighbourhood looked at the time, hair and fashions typical of high school students, technology they were using such as cameras and cars, and the types of social activities that students might have been getting up to at the time (Or at the least the ones they would put on film). If the name Joe Shoctor jumps out at you from the opening credits, he went on to found the Citadel Theatre in Edmonton.