Editor’s note: All images below courtesy of the Provincial Archives of Alberta.
Written by: Michael Gourlie, Government Records Archivist, Provincial Archives of Alberta
From his start playing hockey on the northside rinks of Edmonton to winning a gold medal the 1980 Winter Olympics, John Utendale had a remarkable career as an athlete and coach, but his achievements during his career as educator were no less distinguished.
Born in Edmonton in 1937, Utendale played rugby, baseball and hockey while attending Victoria Composite High School. He continued to play softball at the provincial level while also playing hockey for the Edmonton Oil Kings. It was his skill as a hockey player that landed him a contract in 1957 with the Detroit Red Wings organization as a member of the Edmonton Flyers of the Western Hockey League. Utendale would become the first Black hockey player to sign a contract with an NHL team.
Utendale with the Edmonton Oil Kings, Oct. 26, 1954.
He later played for the Quebec Aces, joining Willie O’Ree, who broke the National Hockey League’s colour barrier, and Stan Maxwell for an all-Black line. He also played for the Windsor Bulldogs and for teams in Sudbury and Windsor.
Editor’s note: David Murray is an architect in Edmonton and met Arni Fullerton in 1981 while working for him on an alternate, traditional plan for the development of a new town at 58˚ N as required by his contract with the province, led by Montreal architect Ray Affleck. Fullerton and his wife Merle were interviewed on Zoom in April 2024 at their home in Nanaimo.
All images courtesy of the Arni Fullerton Collection at the Provincial Archives of Alberta, unless otherwise noted.
Written by: David Murray, Architect AAA, FRAIC
In the late 1970s, the Alberta Government’s Department of Housing and Public Works, initiated a planning process with the intent to design a new community in northern Alberta, north of Fort McMurray, specifically to house workers and their families at the expanding oil sands extraction developments. It would be a most imaginative and provocative approach to living in the north, the culmination of a lot of precedent research by a team of planning and engineering visionaries.
Illustration prepared by David Murray.
Architect Arni Fullerton was hired by the Alberta government to design the proposed new town. His vision, on which he collaborated with Britain’s Buro Happold Engineers and German structural engineer Frei Otto, was a 35 acre air-supported, weather-controlled, transparent dome, covering a town centre that incorporated housing, recreation fields, a sports complex, commercial properties, a shopping centre, schools, an amphitheatre, parks and a children’s plaza. The town was intended to grow incrementally, outside the town centre dome, over time. All parts of the town would be connected by public transit.
Written by: Suzanna Wagner, Program Coordinator, Victoria Settlement and Fort George & Buckingham House
The Hudson’s Bay Company kept a close eye out for anywhere their business might flourish. So, in 1864, when it came to their attention that large groups of people were gathering at the McDougall Methodist Mission on the banks of the North Saskatchewan River (south of the present-day town of Smoky Lake), setting up a fur trade fort next door was an enticing prospect. Rather than reprise the “Fort White Earth” name of the HBC fort that had operated in the vicinity at the turn of the century, they chose to call the place “Victoria Post.” Victoria was the same name as the mission, and it was a “post” because it wasn’t large enough to merit being called a fort. Despite the technicalities, most people call it Fort Victoria.
By 1874, the fort contained the Clerk’s Quarters (still at Victoria Settlement Provincial Historic Site today), a warehouse, a house for other fort employees, a blacksmith shop, a stable, a dairy, a palisade, and of particular interest, the trade store. The trade store was built by local men Sam Whitford and Joe Turner, likely between 1866 and 1867. The humble post-in-sill builttrade store went through almost as many changes as did the community which surrounded it, and unique within the history of Victoria Settlement, a series of photographs have shed light on many of the changes this building underwent.
Artist’s conception of Fort Victoria, based on Richard Hardisty’s 1874 scale map. Source: Government of Alberta, 1971.
Wishing everyone a safe and enjoyable holiday season! The images below, courtesy of the Provincial Archives of Alberta, were taken from the John Glascow Family Christmas, Edmonton, 1963.
Editor’s note: All images in this post were taken by Suzanna Wagner.The image above is of a view across the Stromness Harbour, Orkney.
Written by: Suzanna Wagner, Program Coordinator, Victoria Settlement and Fort George & Buckingham House
Have you ever travelled vast distances only to find pieces of home?
Intent on exploring new vistas, seeing the ocean, and walking through Neolithic sites, this Canadian historian jetted off to Orkney, Scotland for a vacation. Orkney and Canada share a strong historic connection since the Hudson’s Bay Company hired a great many of their labourers from Orkney. Working with fur trade history made me aware of this, but the only concession my trip plan made to the Orkney-Canada connection was an as-of-yet unread copy of Patricia McCormack’s paper, “Lost Women: Native Wives in Orkney and Lewis” tucked into my suitcase.
After three flights, I arrived bleary-eyed on the largest island of this archipelago north of the Scottish mainland, feeling as though I had travelled to a rather remote part of the world. I couldn’t have been more wrong. Orkney may feel isolated today, but when the Atlantic was bridged with boats instead of planes flying out of densely populated southern urban centres, Orkney was much more central.
Maps of the world on display in Orkney did not have the equator as the centre of the image. Rather, they tilted the globe northward, bringing into focus areas of the northern Atlantic which usually shrink into obscurity- including Orkney itself. By changing the angle from which I considered the globe, I was able to see connections that had never before been made clear to me. One of those connections bridged the wide watery expanse between Orkney and western Canada.
Orkney’s northerly latitude made it a geographically convenient place for the Hudson’s Bay Company (HBC). The oceanic entrance to the Hudson Bay is substantially further north than the mouth of the St. Lawrence seaway, which means that starting the journey from Orkney makes far more sense than leaving from a “more central” port in southern England. Hudson Bay-bound ships “called in” (made a stop at) at the Stromness harbour on the western edge of Orkney as their last landing place before braving the Atlantic crossing. Once in this harbour, they visited Login’s Well (pronounced “Logan’s”) to fill their all-important supplies of drinking water.
Login’s well today: an important part of a Stromness historic walking tour, but if you want to refill your water bottle, you’ll need to look elsewhere.
But it wasn’t just Orkney’s fresh water the HBC wanted. Orkney’s men were also in high demand.
Written by: Patrick Carroll, Cultural Resource Management Advisor, Southwest NWT Field Unit, Parks Canada
About 50 km upriver on the Slave River from Fitzgerald, Alberta, among a small cluster of islands named Stony Islands, you will find the remains of a stone lime kiln. Archaeologist Marc Stevenson documented the kiln (IjOu-5) and a nearby quarry (IjOu-6) during a survey of the Slave River in 1980. He described the kiln as a, “large semicircular limestone feature 4m in height.” The quarry is an exposed face of limestone just upriver from the kiln. All that we know about the history of the kiln is based on notes from a conversation Stevenson had with a Brother Seaurault. According to Stevenson, “The feature, according to an elderly informant, is the limestone furnace used by residents of Fort Chipewyan in the 1910’s and 1920’s to make whitewash for their log homes in the latter settlement.” It appears, therefore, to have been here for at least a century and is now showing the degradations of time, seasonal flooding and ice scouring.
The kiln is built into a natural alcove in the limestone exposure, set on a rocky shelf at a height to protect it from the impacts of seasonal high water and ice scouring on the Slave River. It consists of a semi-circular convex stone wall extending from the bedrock which, together, create the chimney. The height of the wall extends to the height of the top of the bedrock. A stoke hole on the bottom of the wall faces toward the river. An interesting feature of this kiln is that one side of the wall of the kiln does not abut directly against the limestone outcrop. The collapsing wall on the down-river side appears to have been built mostly flush to the bedrock face. The wall on the up-river side, though, remains in its original condition showing it was built with a 30-60 cm gap between the edge of the stone wall and the bedrock face. It is not known what purpose this gap might have provided for the operation of the kiln, although, it is easily wide enough to allow for a person to enter the cavity of the chimney.
Source: Stoney Middleton Heritage Centre Community Group.Source: National Stone Centre.Source: Rhoda Allanic.Read more →
Written by: Ronald Kelland, Historic Places Research and Designation Program
Remembrance Day, November 11, is the day Canadians honour our military personnel and memorialize those who gave their lives while in military service. While honouring all Canadian service personnel this Remembrance Day, RETROactive is drawing particular attention to a geographical feature named to commemorate two cousins who were casualties of the First World War.
Near the Alberta/British Columbia boundary, 55 kilometres ENE of Grande Cache is a mountain known as Mount May; its two peaks are named George Peak and Francis Peak. The mountain and its peaks are named for two cousins, George and Francis May of Ottawa, both of whom were casualties of the First World War.
Francis May
Francis Loren May (frequently misspelled Francis Lorne May) was born on August 14, 1894, at Ottawa to William Chaney May and Susan Margaret May (née Story). William May was a partner in the family firm George May and Sons, a leather goods and saddlery store on Rideau Street. In 1915, Francis was living with his parents at 155 Gilmour Street in Ottawa. Described as being nearly six feet in height and with hazel eyes, a ruddy complexion and light brown hair, he was a member of the Ottawa Ski Club and the Ottawa Canoe Club and, during his school years, he spent two years with the Ottawa Collegiate Institute Cadets. He tried to enlist for service with the Canadian Expeditionary Force in 1914 but was not accepted due to an attack of appendicitis. He did enlist for service at Ottawa on February 22, 1915. His attestation papers list his employment as clerk, and he may have been employed in the family firm or with the Dominion Government. Francis had worked with the Dominion Land Survey, notably in northeastern Alberta in 1912 as an axeman in the surveying party of George McMillan, DLS. It is possible that the May River, which was partially surveyed and named by McMillan in that year, may have been named for Francis.
Written by: Sara King, Government Records Archivist, Provincial Archives of Alberta
With Halloween once again upon us it’s time for some spooky fun from the Provincial Archives of Alberta. Nicholas Gavinchuk operated a photography studio in Smoky Lake from the early 1920s into the 1960s documenting all manner of aspects of community life there, including Halloween. One of the more interesting aspects of doing archival research is seeing a brief description of a file or photograph and finding out it’s not quite what you expected. This is often the case in archives as archivists try and use the titles given to photographs and files by the creator of the records as opposed to assigning their own.
For example, the image below was labelled as “Halloween Hags”. But as you can see, they’re clearly Halloween hogs! In the Archives’ defense, an “a” and an “o” are awfully similar in cursive.
Written by: Sam Judson and Lindsay Amundsen-Meyer, Department of Anthropology and Archaeology, University of Calgary.
Alberta’s cowboy culture is embraced by many and celebrated through events and conventions like the Calgary Stampede, K-Days or Calgary’s ‘White Hat’ tradition. This culture is largely represented in the history books by white, European settlers, although Alberta’s past is much more multiethnic and multicultural than many realize.
John Ware was one of Alberta’s early Black setters. Ware’s name is recognizable today to many Albertans, who refer to him as Alberta’s first Black cowboy, and the longevity of his legend is fascinating. Despite this, few know his story and very little is known about the true nature of his life.
John Ware, rancher, with wife Mildred and children Robert and Nettie in southern Alberta, [ca. 1896], (CU1107289) by Unknown. Source: Glenbow Library and Archives Collection, Libraries and Cultural Resources Digital Collections, University of Calgary.
Editor’s note: This article was originally published on the RAM Blog, the official blog of the Royal Alberta Museum.
Written by: Chihiro Iwamoto, Administrative Assistant, Royal Alberta Museum
When Canada declared war on Japan in 1941, people of Japanese ancestry were met with intense discrimination. The Canadian government ordered the removal of Japanese Canadians from the West Coast of British Columbia in 1942, and within two months, approximately 22,000 Japanese Canadians, about three-quarters of whom were born in Canada, were forced to leave their homes and their properties were confiscated.
Most male Japanese Canadians were sent to labour camps to work on road construction, while their families were sent to internment camps in interior British Columbia.
Around this time, Alberta’s sugar beet industry struggled to secure labour due to the heavy, harsh, labour-intensive nature of sugar beet cultivation. A group of 560 Japanese families agreed to move to Southern Alberta by 1943, where they signed a labour contract to work in the sugar beet fields because it allowed the families to stay together. One of the communities they were relocated to was the small town of Picture Butte, about 27 km north of Lethbridge.
RETROactive 