Written by: Devon Owen Moar
Over the past year, I’ve been volunteering with the Labour & Industry curatorial team at the Royal Alberta Museum (RAM). What began as a project to help process recent architectural acquisitions—related to Wallbridge & Imrie and Doris Newland Tanner—has gradually expanded into something much broader. I’ve since been fortunate to assist with other newly acquired collections, each object offering its own intriguing story and mystery to unravel.
In particular, individual pieces have caught my attention not only for their craftsmanship but for the stories embedded in them. Each one—whether an architectural tool, scale model or illustration—becomes a small but meaningful window into Alberta’s working and community past.
Among the recent acquisitions at the RAM was a particularly appealing object: a 100+ year old scale model of a staircase from the Town of Vegreville. The model was obtained by the RAM in 2024 after the Vegreville Regional Museum ultimately closed its doors.
Curators from the RAM’s history programs—including Labour & Industry, Daily Life & Leisure and Military & Government History—travelled to Vegreville to identify and help preserve objects of historical value within the RAM’s permanent collection. The staircase model was among those selected and is now part of the Labour & Industry collection.
This remarkable scale model is constructed primarily of wood and mounted on a plywood base. It was most likely built to a scale of 1″: 1′ (i.e., one inch equals one foot). Though small compared to its full-scale counterpart, it’s meticulously crafted—complete with turned balusters, a square landing and even a functioning door with tiny hinges and a wooden knob. The design reflects the restrained character of early twentieth-century domestic interiors, where craftsmanship and proportion met simple, elegant ornamentation. From the graceful curve of the lower steps and railing to the careful shaping of each newel post, every element has been thoughtfully made, likely by hand woodworking tools, and with the aid of early woodworking machines.
Despite being over a century old, the model has survived in remarkably good condition. A few balusters are missing and there are signs of minor repairs, but significantly, the overall integrity of the piece remains. The varnished surfaces retain their warmth, while the hidden undersides reveal the maker’s practical side—unfinished wood, tool marks, and the occasional nail or screw added probably long after its creation. Together, these details hint at a life of use and care, and a level of craftsmanship that continues to impress.












