Did You Ever Hear the Blues? The Music, Film and Influence of Big Miller

JC-1980-Cover
Big Miller on the cover of the August 1980 edition of the Edmonton Jazzette. That shirt is due for a comeback. Photo provided by the Yardbird Suite.

Generally speaking, the ol’ City of Champs hasn’t been known as an international hub of art and culture as say, Montreal, New York City or Los Angeles. Artists of all stripes – musicians, dancers, visual artists – tend to get their feet wet in Edmonton then head off for the greener pastures of large international centres of creativity. So to hear stories of popular artists choosing to do the opposite and actually move to Edmonton to pursue creative endeavours (in the 1970s no less!), well, that’s something worth exploring.

Jazz music has a long history in Edmonton; incredible venues like the Yardbird Suite are recognized as important institutions in the city and former events, like the Jazz City Festival are recognized for their historical role in promoting the genre in the city and province. This week is the 2018 Edmonton International Jazz Festival. Since 2006 this festival has brought some of the world’s finest jazz musicians and acts to Alberta and has promoted local musicians at an internationally recognized venue. This week’s blog post is about one of those unique Edmonton transplants, one that may not be as well-known as jazz contemporaries Tommy Banks and PJ Perry, but one who certainly deserves to be recognized in the same ranks – the great trombonist and Kansas City Blues singer Clarence Horatius “Big” Miller. Read more